SF Opera Fidelio Review: A Revolutionary Production Without Sound

The San Francisco Opera's latest production of Beethoven's only opera, Fidelio, is a groundbreaking achievement that pushes the boundaries of storytelling and artistic expression. The opera includes sections spoken, not sung, and a narrative that places particular emphasis on visual symbolism and human gestures, requiring astute staging and nuanced vocal and acting skills.

Directed by cinematographer Ilberto Arvelo and co-directed by Joaquín Solano, this remarkable cast composed of singers and actors rockets the production into galaxies rarely explored. Hearing and non-hearing artists fuse purpose and craft to deliver the libretto, making for a truly unique experience.

The production arrives on the wings of notable talent, with Los Angeles' Tony Award-winning Deaf West Theatre leading the charge. Artistic Director David Kurs, who recently received recognition for his work on the Grammy Award-winning film CODA, brings his expertise to the table. The Los Angeles Philharmonic and members of Deaf West Theatre are also engaged in this innovative semi-staged performance at Disney Hall from April 14-17.

The concept behind Fidelio is revolutionary: if epic love, wordless emotion, and timeless, visual grandeur can be communicated entirely in silence and solely through physical gesture, facial expression, or imagery - think of a maternal caress, the look of passion in a loved one's eyes, and late afternoon sunlight transforming grassy hillsides into plush carpets of green or gold - then why not an opera conveyed without sound?

Bringing this idea to life is the goal and possibly the revelation that audiences will find in this production. With its focus on visual storytelling, Fidelio offers a fresh take on the traditional opera experience. Don't miss this opportunity to witness something truly groundbreaking and experience the power of music and theater like never before.

Sf opera fidelio review